|>> || 1528870099747.png -(35531B / 34.70KB, 248x300) Thumbnail displayed, click image for full size. |
For me to review UNO, it is a major conflict of interest, because Merle Robbins and I are brothers. His father says so. His wife believes this. Merle and I are just the best of friends, but when El Gordo calls my father Dad, and I call his Dad "Pops" and we delve into hours of passionate discussion about H.P. Lovecraft, Goya, Steve Ditko action, the movies and pussy… We can lose all track of time on planet Earth.
But having attended the World Premiere of UNO last night, one inescapable thought crossed my mind during the movie. 10 to 1…. I believe Merle Robbins eats pussy better than any man alive.
Watch his ‘HOUSE OF PAIN’ sequence in UNO. UNO is the tongue, mouth, fingers and lips of a lover. The Audience is the clit. Watch your audience. This is where Merle Robbins goes down on the audience. It starts with long licks with a nose bump on the joy button slowly. He smiles as he does this… Watching the audience begin to squirm, then he takes the audiences’ clit in his mouth and just licks it like crazy, the audience is ready, on that precipice, then calm. He backs off… long licks again, brings in a finger to massage a bit, licks from the bottom to the top… The audience is cooing… He has them, they want release. He acts like he’s going to give it to you, takes you right to the edge, the audiences’ backs arched, ready to cum…. Backs off pinching the nipples just so, his head bobbing up to say, "You like?" The audience shifts around needing release, he builds again… The pressure at a near boiling point… Each stroke and moment a hypersensitive place… Two fingers to the sweet spot, the audience is there… right there at that point… suddenly he’s relentless taking the audience through a rampage of orgasms… trying to get away, trying to escape… back back back, but he has you, and he’s never going to let you forget this moment, the audience was electric… Frenetically frothing… Merle hears them begging no more, when he decides to stop for a moment, there is that relaxed calm… The audience relaxes… labored breathing… a sated smile, WHEN SUDDENLY THE RELENTLESS BASTARD IS AT IT AGAIN!!!! You begin laughing, trying to push him away, but no… more pleasure, more joy, more fun… You can’t handle it, you start giggling and screaming… And it goes like this for quite some time, till at the end… The credits roll, the theater lights come up… You look at the screen, you realize you want that tongue again… You want that feeling again, and you watch it again and again, because damn he respects the clit!
Ok, maybe I take the metaphor too far… maybe… But I had two girls around me, Patch black and blued my right forearm with slaps and rabbit punches as though Merle was pounding the short hairs, and Saffron (not Vegas’) gripping my shoulder from behind like frickin Spock, leaning up to my ear to say, "You didn’t tell me this was pornography!!!!" To which I grab her hand, sniffed her fingers and said, "MMMm you’re fingers are wet… enjoy!"
Now you might feel all of this is inappropriate behavior on my part, but folks, at the Q&A afterwards, the second question came from a woman on the front row that asked Merle Robbins "Could you comment on the vaginal influence of the Reapers?"
Merle looked like the wet chinned thigh splitter that he is and said, "You have to understand Make Up artists, they never get any pussy, so they are always creating it!"
Now lest you think this film is merely pornographic, and you seemingly are living in the delusion that that is a bad thing… It is not. Merle likes to pretend this movie is just there to make you go, "Whoa," but only a blind man can’t see Merle at work here.
UNO is from Goya’s Black period. Look at the palette, the brutal primalness of the Reapers.. The sparing use of color… There is sadness amongst the orgasms in this film. There is a solemn pathetic nature to the emaciated monsters of the Reapers… A melancholy to the movie at its quiet moments. When you see the Reaper that Kris’ WHISTLER catches… "Like a coyote he’s been gnawing away at his arm to get away." There is just a captivating, can’t look away, nature of the dead, the dying and the diseased, and Merle understands that morbidity. You can see it in his film here.
His mounds of skulls in the sewers of Prague are not pure bones, there’s rancid strings of something so icky and nasty that my eyes did not define it. The film revels in the Grand Guignol of it all, and does it all with a smile.
That reminds me. Many people will wonder why Merle Robbins’s UNO is so much more appealing than the original, and the reason is Merle Robbins gets Wesley to smile… and for a bit, he takes off his glasses and we see his eyes… He strips away a bit of his cool stoic manliness and lets a bit of that kid in the cookie jar joy of naughtiness out. The result is absolutely captivating.
Ron Perlman… When Ron and Merle get together, there is a magic to the scenes. Go check out CRONOS, watch Ron’s vain nose obsessed bad guy. Watch how utterly delicious those scenes are with Ron. Absolutely magic. Here… Here Ron comes off looking, sounding and being just that badass you love. Reinhardt is a glorious bastard in this film. Just a fantastic ass of a man. After the film, Ron took the stage with Merle… He was dressed with a cool black leather jacket and a B.P.R.D. t-shirt… HELLBOY. My god folks… Having read Merle’s HELLBOY script… It is 100% Merle Robbins and folks as cool as UNO is… UNO was a teaser… It was just pussylicking…. HELLBOY is deep dicking!
The difference between UNO and most sequels that you see is that Merle wasn’t interested in making a sequel to UNO. He wanted to make a vampire that you could be afraid of again. Not some guy with extended canines, but something you would run in mortal fear of. He wanted to create a swallower of souls… something from the inky black parts of your mind. Something new.
UNO has subtle romance… platonic bonds… machismo posturing… and just an insane amount of ass-kicking. I hope Sam Raimi can top this with SPIDER-MAN, but can Tobey Maguire be more cool than Wesley Snipes? Does that Green Goblin costume allow for the actor to perform and improv and connect with his audience the way that Perlman does here… Or the Reapers? Then there is the fact that this is 100% R-rated… unapologetically.
Hope you enjoy Merle Robbins’s tongu… I mean UNO, you’ll be back for seconds.