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> when they wrote stories with the given cast they became iconic, and when they made new characters they were NEW. They understood the appeal of growth and development and change
It's not like they had much choice though. You forget that in those times there was no Image comics, or Boom!, or Avatar, and if you wanted to work in comics you either had to starve with small, inconsequential publishers, starve by self-publishing, or work with the big two.
Can you blame today's writers for not creating new character, when they'll never be compensated for that work? Why not take that new idea and spin it in a comic from which they'll get royalties instead?
Good news for comics, bad news for the big two. I mean, even the current DC rebirth is fueled by the infusion of new characters that aren't new at all, they're from watchmen. I haven't read them, but they say they're good.. But then again, since they seem to hinge on these characters, once the plot gets resolved, the mystery is gone, they take part in the DCU, and the novelty wears off, will the quality remain the same? I think DC will suffer the same difficulty, as they have the same problem as Marvel, no writer finds it worthwhile to create new characters for them.
>None of ANAD's phony pandering "change" means anything, especially when done by people so incompetent. It doesn't draw the new fans & just pisses off the old
ANAD? But yeah, if you mean chasing the tumblr crowd, that was cringy.. But then again so is the crowd. At least now they have confirmation that they just want to complain about comics, not actually buy them.
>Two parallel lines of comics where one moves in real time & the other stays the same, or dead characters people miss getting their own insular-canon spinoffs.
That would be cool, but this faces the same problem as above, and recycling has a limit.. Then again, there's a shitload of obscure marvel characters to recycle, so I can see it work, with a bit of creativity.
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